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Printing & Design Tips Newsletter

We publish the newsletter, Printing & Design Tips, every month. It is emailed to a subscriber list and posted here. To subscribe, fill in your email to the left and click "subscribe."

If you need Newsletter Printing Quotes, click here to receive multiple newsletter quotes from the printers who belong to our service at www.printindustry.com.

The newsletter is written by Steve Waxman, a printing consultant. He teaches corporations how to save money buying printing, brokers printing services, and teaches prepress techniques. Steven has been in the printing industry for thirty-three years working as a writer, editor, print buyer, photographer, graphic designer, art director, and production manager.

Current Newsletter

MAY 2012, Issue 130

>Computer-To-Plate Technology Increases
Platemaking Speed and Quality

>Ultraviolet (UV) Inks Widen Printing Substrate Options

Past Newsletters

Issue 1, August 2001
>Economical Use of Color
>Photos for Reproduction
Issue 2, September 2001
>Sending Jobs to Press
>Two Quick Ways to Save Money Specifying Paper
Issue 3, October 2001
>Specifications for Printing Quotations
>Avoiding Jagged Edge Quark Picture Boxes
Issue 4, November 2001
>Avoiding Fuzzy Four-Color Type
>Printing on Envelopes
Issue 5, December 2001
>Reviewing a Blueline Proof
>Proofing Options Beyond Bluelines
Issue 6, January 2002
>Process Vs. Spot Color
>Web Vs. Sheetfed Printers
Issue 7, February 2002
>Specifying Paper for Printing
Issue 8, March 2002
> Taking Delivery of a Print Job
> When to Request Prices from Printers
Issue 9, April 2002
> What You Should Know About Ink
> What You Should Know About Delivery Costs
Issue 10, May 2002
> Why Won't Your Printer Accept MS Publisher or MS Word Files?
> When Should You Consider Digital Printing?
Issue 11, June 2002
> How to Choose a Print Provider
> When to Replace Your Print Buying Tools
Issue 12, July 2002
> Does Your Print Provider Subcontract Out Work?
> Specifying Bleeds
Issue 13, August 2002
> Two New Directions in Color Proofing
> Varnish as a Design Element
Issue 14, September 2002
> What You Should Know About Inks
> How Big Should Your Envelope Be?
Issue 15, October 2002
> Proofing Halftone Patterns
> Folding
Issue 16, November 2002
> What to Look for On a Press
> Defining Spot Colors in Page Layout Programs
Issue 17, December 2002
> What Impacts Have Computers Had on Printing?
> Using More Than One Black Ink
Issue 18, January 2003
> What Options are There for Coating a Job?
Issue 19, February 2003
> How To Produce Even, Heavy-Coverage Solids
> Avoiding Cracking When Printing Heavy-Coverage Solids
> Avoiding Ghosting When Printing Heavy-Coverage Solids
Issue 20, March 2003
> Unsampling Photos: Don't Do It
> Real vs. Fake Duotones
Issue 21, April 2003
>The Effect of Paper Color on Ink Color
> Underprinting
Issue 22, May 2003
> Transparency Scanners
> Enlarging Scans - REVISITED
Issue 23, June 2003
> Photo CD
> Rights Managed Vs. Royalty Free Images
Issue 24, July 2003
> Binding Options
Issue 25, August 2003
>Tint Backgrounds Vs. Colored Paper Stock
>Xerographic Printing Paper Considerations
>Designing for Easy (Cheaper) Bulk Mailing
Issue 26, September 2003
>Specifying Ring Binders
>Web Growth
Issue 27, October 2003
>Specifying Divider Tabs
>Copyright Information
>Automation Compatible Bulk Mail
Issue 28, November 2003
>Choose Your Paper Wisely & Save Money
>Keep the Post Office in the Design Loop
>Postage Rates
Issue 29, December 2003
>Pre-Flighting Your Print Files
>Spot UV Coating
>Need a Gloss Ink?
January 2004, Issue 30
>Simplifying Your Art Files
>Split Fountains
February 2004, Issue 31
>What is Shingling?
>Watch for Flopped Photos
MARCH 2004, Issue 32
>Specifying Gloss vs. Dull Stock
>Paper for Both Photos and Text
>What is Cast-coated Stock?
>What are Specialty Papers?
APRIL 2004, Issue 33
>Color Shifts in Neutrals
>PMS Color Doesn't Match the Swatch
MAY 2004, Issue 34
>Specifying Envelopes
JUNE 2004, Issue 35
Organize Computer Files/Hardcopy for Printers
>Color Separated Laser Proofs
>Collect for Output Report
>Clear Off Your Quark PasteBoard
-------------------
>Rich Black Ink
JULY 2004, Issue 36
>Requirements for Embossing
>Color Corrections on Press
>UV Cracks with Saddlestitch
AUGUST 2004, Issue 37
>What You Should Know About Ink Drying Time
>Converting Images to CMYK
>FM Screening
SEPTEMBER 2004, Issue 38
>Fluting
>Don't Skip on Overs
>Discounts for Long-term Printing Contracts
OCTOBER 2004, Issue 39
>Effect of Paper on Ink Drying Time (REVISITED)
>Final Responsibility for Printable Job Files
>Paper Price Increase
NOVEMBER 2004, Issue 40
>Paper Sizes -- When is 80# Not 80#?
>A Brief Paper Glossary
DECEMBER 2004, Issue 41
>What is Paper Coating Made Of?
>What is the Difference Between Whiteness and Brightness of Paper?
>What are Bleeds and Why Do Bleeds Cost More?
>Halftone Dot Shapes
JANUARY 2005, Issue 42
>Business Card Reply Stock
>What is Thermography?
>Crossovers
FEBRUARY 2005, Issue 43
>Press Proofs
>Overs and Unders
>What is Merlin?
MARCH 2005, Issue 44
>Fix the Problem of Four-Color Blacks
>InDesign vs. Quark: A Printer's Perspective
APRIL 2005, Issue 45
>Sheetwise Vs. Work-and-Turn and
Work-and-Tumble
>Barn Doors VS. Gatefolds
MAY 2005, Issue 46
>Random Thoughts on Proofing
>Accordion vs. Wrap Folds
JUNE 2005, Issue 47
>Paper and the Environment: Part 1
>Bleed Tabs
JULY 2005, Issue 48
>Paper and the Environment: Part 2
>Tabs vs. Fugitive Glue
>Envelope Specifications
AUGUST 2005, Issue 49
>Overage / Underage
>Folding Tolerances
>Export File Formats for Process Color in Pagemaker
SEPTEMBER 2005, Issue 50
>Heavy Coverage and Bleeds
>PMS vs. Black Ink
>Tinted Varnish
>The Skinny on Press Deadlines
OCTOBER 2005, Issue 51
>Press Proofs
>Self-Cover vs. Plus Cover
NOVEMBER 2005, Issue 52
>Inkjet Inks and Paper
>What is a Free Sheet?
DECEMBER 2005, Issue 53
>When to Use a Spot Color
>Multiple Printing Estimates: Interpreting & Choosing Appropriate Print Vendor
JANUARY 2006, Issue 54
>Upsampling Photographs and Line Art
FEBRUARY 2006, Issue 55
>A Few Thoughts on Delivery
>Paper Finishes
MARCH 2006, Issue 56
>Who Pays for Shipping?
>More on Photos
>Descreening (Screens of Halftone Screens)
APRIL 2006, Issue 57
>What is Flexography?
>What is Screen Printing?
MAY 2006, Issue 58
>Printing Colored Inks on Colored Stocks
JUNE 2006, Issue 59
>Nothing Remains the Same, Including Your Printer
>Relationship with Your Printer
>Printer Communication Styles
>Printing Outside the USA
JULY 2006, Issue 60
>Spice Up Your Publications
AUGUST 2006, Issue 61
>What is Newsprint?
>Lay-Flat Binding
>What is an AA?
SEPTEMBER 2006, Issue 62
>What is a Perfecting Press?
>What is the Difference Between a Form and a Signature?
>What is Foil Stamping?
OCTOBER 2006, Issue 63
>What is a "Making Order"?
>Self-Cover Vs. Plus Cover
>Egyptian Vs. Gothic Typefaces
NOVEMBER 2006, Issue 64
>A Web Press is Not Always Perfecting
>Saddle-Stitch vs. Perfect Binding
>Lay-Flat Laminate
>A Fine Point of Style
DECEMBER 2006, Issue 65
>Soy Ink in Food Packaging
>Printer's Samples: What Should You Look For?
JANUARY 2007, Issue 66
>What is Lenticular Printing?
>What is the Difference Between Brightness and Whiteness?
>What is Synthetic Paper?
FEBRUARY 2007, Issue 67
>Magazine Cover Wraps
MARCH 2007, Issue 68
>Vector Drawings and Flatness
>Can't Find the Right Colored Paper Stock?
APRIL 2007, Issue 69
>Using Wax-Free Inks Under Book-Cover Lamin ates
>Laminates Vs. UV Coatings for Book Covers
>Picking a PMS Color for Type
MAY 2007, Issue 70
>Hybrid Screening
>Magnetic Inks
JUNE 2007, Issue 71
>Digital Printing Options
JULY 2007, Issue 72
>Printing with Fluorescent Inks
>Ouch: Don't Be Surprised by Your Printing Bill
>Check the Color Across the Entire Press Sheet
AUGUST 2007, Issue 73
>Heatset Vs. Non-Heatset Web Presses
>What is Flying Paster?
SEPTEMBER 2007, Issue 74
>Printing on Colored Paper
OCTOBER 2007, Issue 75
>Waterless Offset, A.K.A. Dryography
NOVEMBER 2007, Issue 76
>How Does Spiral Binding Differ from Wire-O Binding?
>What Should You Remember About Coil Bindings?
>What is a Hickey?
DECEMBER 2007, Issue 77
>What Is Runnability?
>What Does Machineable Mean?
>What is the Difference Between Embossing, Debossing, and Blind Embossing?
>What is Scoring?
JANUARY 2008 , Issue 78
>Coated or Uncoated Paper Stock?
>Coatings Applied to a Printed Sheet
FEBRUARY 2008 , Issue 79
>Preparing Files for the Printer
MARCH 2008 , Issue 80
>Pocket Folder Production
APRIL 2008 , Issue 81
>Designing for Digital Printing
MAY 2008 , Issue 82
>Designing for Digital Printing - Part 2
June 2008 , Issue 83
>Which Cover Coating is the Most Environmentally Friendly?
>What is FSC Certification?
>What is SFI Certification
>What Do FSC- and SFI-Certification Matter to You?
July 2008 , Issue 84
>The Proper Press for the Job
August 2008 , Issue 85
>Flaps on Perfect-Bound Book Covers
>Embossing and Blind Embossing
September 2008 , Issue 86
>Go with Your Instincts
October 2008 , Issue 87
>What Should You Do When You’re The Print Buyer and You Get A New Boss?
NOVEMBER 2008 , Issue 88
>Paper Color Changes Ink Color
>What is Metamerism?
>What is Runnability?
DECEMBER 2008 , Issue 89
>How Will the Paper Behave on Press?
>Paper Finish
>Another Way to Save Paper
>Avoid Paying for Varnish
>Get Better Paper for Less Money
JANUARY 2009 , Issue 90
>What Should You Know About Metallic Ink?
FEBRUARY 2009 , Issue 91
>Printing on Corrugated Board
>Vehicle Wraps
MARCH 2009, Issue 92
>Flat vs. Finished Size
>CMYK: What's the "K"?
>What's the Difference Between BLOW-IN and BIND-IN Card?
>What is Remoistenable Glue?
APRIL 2009, Issue 93
>Thoughts on Varnish and Other On-Press and Off-Press Coatings
>What is a Hinge Card?
>Avoid Screens of Red
MAY 2009 , Issue 94
>Categories of Printers
JUNE 2009, Issue 95
>Crisis — An Ugly Color Shift on a Magazine Cover
JULY 2009, Issue 96
>Perodical (Second Class) vs. Standard Rate Postage
>What is a Loupe?
AUGUST 2009, Issue 97
>Matching Color
>Where Do You Insert a Bind-in Card?
SEPTEMBER 2009, Issue 98
> Why is Black Ink Necessary for CMYK Printing?
> Ink Replacement Trick
> Surrounding Colors
> Neutral Grey Paper
> Trim Tolerances in Digital Printing
OCTOBER 2009, Issue 99
>What is Converting?
NOVEMBER 2009, Issue 100
> Blanket-to-Blanket Press
> Kiss-Cut
>Butt-Cut Labels
> Head, Foot, and Fact of a Sheet
DECEMBER 2009, Issue 101
> In-Design vs. Photoshop
> Descreening vs. Copydot Halftones
JANUARY 2010, Issue 102
>Flatbed Inkjet Printers
>Web-Fed Inkjet Printers
FEBRUARY 2010, Issue 103
>Image Personalization
MARCH 2010, Issue 104
>Web-to-Print
>Nixie
APRIL 2010, Issue 105
>Worldwide Increase in Display Graphics
>Royalty-Free vs Rights Managed Photos
MAY 2010, Issue 106
> Close Loop Color
> QR (Quick Response) Codes
> Expert Font Sets
> Lab Color
JUNE 2010, Issue 107
> Roll Sheeter
> Offsetting vs. Set-Off
JULY 2010, Issue 108
>A Trip to the Movies: "Standee Displays"
AUGUST 2010, Issue 109
>A Non-Approval Proof
>A F&G's: The Last Chance Before Binding
>A Backing Up a Sheet
SEPTEMBER 2010, Issue 110
>Types of Glue Used in Printing
>Envelope Specs: Open Side Vs. Open End
OCTOBER 2010, Issue 111
>Nesting Graphics
>Padding
>Widows and Orphans
>"Cold-Set" Vs. "Non-Heatset" Web Presses
NOVEMBER 2010, Issue 112
>Broken Carton of Paper
>Discretionary Hyphen
>Kerning vs. Tracking
DECEMBER 2010, Issue 113
>When to Convert an Image from RGB to CMYK
>Double Gatefold vs. Double Parallel Fold
JANUARY 2011, Issue 114
>Recto / Verso
>Piggy-Back Labels
>Micro-Perf
>Don't Coat Paper You Plan to Write On
FEBRUARY 2011, Issue 115
>Static Clings
>The 8-Foot Beach Ball
MARCH 2011, Issue 116
>Curling Cover Stock
>Print Brokers
APRIL 2011, Issue 117
>Using FPO's in Your Color Workflow with Printers
>Determining the Spine Width for a Book
>Asking Your Printer to Stitch Together the Cover and Spine or Doing It Yourself
MAY 2011, Issue 118
>Painting the Sheet
>A Postscript on What Makes Static Clings Stick to Glass
JUNE 2011, Issue 119
>Exotic Paper Options
>One-of-a-Kind Wedding Invitation
JULY 2011, Issue 120
>Three Case Binding Options
>F&G'S: OOPS (Catching an Error Just in Time)
AUGUST 2011, Issue 121
>PROMOTIONAL ITEMS: CD Replication, Bags, T-shirts, Caps, Hats, Pens, Mugs
SEPTEMBER 2011, Issue 122
>Opaque White Ink
>Calendered vs. Super Calendered Paper
OCTOBER 2011, Issue 123
>Printing Your Job Outside Your Immediate Locality
>Faux Textures
NOVEMBER 2011, Issue 124
>Folding Your Design Piece
>Everything You Print is an Ad for Your Company
DECEMBER 2011, Issue 125
>Case Study on the Benefits of InDesign Style Sheets
JANUARY 2012, Issue 126
>Type Terms in the Printing & Graphic Design Industry
FEBRUARY 2012, Issue 127
>Deckled Edge Vs. Rough-Front (Faux-Deckled Edge)
>What is Groundwood Paper?
>What is Acid-Free Paper?
>What is Fluorescent Paper?
>Is All Printing Paper Trimmed Square?
>Banding or Strapping?
MARCH 2012, Issue 127
>What is “Transpromo” Material?
>What is Dimensional Stability?
>What is Picking?
>What is Wax Pick?
>What are Pinholes?
APRIL 2012, Issue 129
>Paste Binding
>When Is A Pdf Proof Enough?
>Fifth Color on Press
MAY 2012, Issue 130
>Computer-To-Plate Technology Increases
Platemaking Speed and Quality
>Ultraviolet (UV) Inks Widen Printing Substrate Options
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